(I would link to the original session video but looks like Apple has memory-holed it.) That would’ve positioned JavaScript as a modern, developer-friendly alternative to the ancient, painful, and increasingly deprecated OSA. In fact, they did make a start on this, with the JavaScriptCore team announcing a new App-embeddable ObjC API at WWDC13. Remember, this was back around 2012–2013, when Node was just starting to take off. If you want to try nodeautomation, which I’ve recently rebuilt, you will need to install from my GitHub: I agree with Daniel: JXA was a huge mistake and Apple should’ve focused on quickly positioning WebKit’s JavaScript as a modern alternative to Node.js. SwiftAutomation I’ve not used in a while so I can’t vouch for that. The only “appscript” which I can say for sure still works is the Python3 version, which is available on PyPI. Here’s the old appscript page for reference: (I currently use these bridges with Adobe CC-based customers wanting to migrate their legacy AppleScript workflows onto modern supported technologies, although only as a temporary stepping stone: I can migrate their AppleScript code to Node.js + nodeautomation now and later, once Adobe finishes UXP, the legacy Apple event stuff can be replaced by shiny new UXP API calls.) Apple’s pram, Apple’s toys we’re all just visitors in it. So caveat emptor, E&OE, and don’t invest any more in it than you are willing to lose. If Apple change something in macOS that breaks it, it breaks. The macOS APIs these bridges depend upon are mostly legacy and some have been deprecated for years. The catch is: I will no longer provide (free) training or support, nor any warranty whatsoever. (Apple even considered bundling Python and Ruby appscript in 10.5 until some Apple manager spiked that in favor of their own in-house trash.) (There is also a 3rd-party fork of Ruby appscript, rb-scpt, but I don’t use that myself.) I know appscript is competent to replace AppleScript because I wrote it for that purpose and have been using it professionally for advanced automation development for more than a decade. Now, if you do enjoy living dangerously, there are technically competent alternatives to AppleScript: Python appscript and its descendants, SwiftAutomation and nodeautomation. A modernized Apple event architecture could’ve been ported to iOS by now and hooked into Siri, enabling direct voice control across thousands of apps: simple commands and queries spoken instead of typed. While the language support is dreadful, the underlying remote-query architecture is actually rather good: a very high-level user-oriented UI/UX that’s a full peer to GUI, only using words instead of click and touch. This is a huge pity and tragic missed opportunity. That’s partly why both of those products crashed and burned.Īlso important to note: Apple management eventually noticed these repeated failures too, finally disbanding the Mac Automation team and firing its Product Manager in 2016! The entire AppleScript stack has been in minimal maintenance mode ever since. it confuses the hell out of users when it does behave in profoundly non-OOP ways, as observed behaviors contradict their mental model. it breaks some features that work perfectly in AppleScript and 2. JXA and SB lie to their users, pretending app scripting it’s OOP when it’s not. JXA, like ScriptingBridge before it, makes a critical mistake: it failed to learn from the mistakes and successes of its predecessors. (Or perhaps XQuery over XML-RPC, except that is euI wish the original designers hadn’t tried to disguise the join: the impedance mismatch between the two is too great better to be honest about its true complexity than pretend that it’s simple by hiding that complexity from users, which only confuses and frustrates them and gives the product a bad reputation. Kinda like SQL, except you’re querying tree-shaped graphs instead of tables. It’s remote procedure calls plus simple first-class queries. The key to understanding application scripting in AppleScript is this: It is not OOP. AppleScript syntax is awful, but at least it works right and has some community support for when you get stuck. There’s a reason nobody uses it: it’s garbage. There are some JXA resources if you google around but, I wouldn’t bother.
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“Well, nobody is phoning home.” These letters came from the heartbroken and the deaf, from the lovelorn and the single the once bitten, twice shy and the twice bitten, forever shy-people who identified with the whale or hurt for him, hurt for whatever set of feelings they’d projected onto him. One marine-mammal researcher quoted in the story, Kate Stafford, may have inadvertently fanned the flames: “He’s saying, ‘Hey, I’m out here,’ ” she told Revkin. They came, as New York Times reporter Andrew Revkin wrote at the time, “from whale lovers lamenting the notion of a lonely heart of the cetacean world” others were “from deaf people speculating that the whale might share their disability.”Īfter Revkin’s story ran that December, headlined “ Song of the Sea, a Cappella and Unanswered,” more letters flooded Woods Hole. They weren’t just typical pieces of professional correspondence. Soon after the report was published, the researchers started getting notes about the whale. It is perhaps difficult to accept that … there could have been only one of this kind in this large oceanic expanse. We do not know the species of this whale, whether it was a hybrid or an anomalous whale that we have been tracking. After shipping noises caused the attempt of the researchers to find the whale, the experts made a shocking discovery that one can only find out by watching Zeman’s The Loneliest Whale documentary.Much remained unknown, the report confessed, and difficult to explain: Noise pollution continues to be a significant stressor for whales while simultaneously disrupting their ability to communicate. With the whale’s location detected near the shore off the west coast of the United States, the scientists worried about the abundance of noise from commercial ships as it prevented them from smoothly detecting the 52-Hertz whale. The lack of detected activity of the whale led to most scientists presuming the 52-Hertz whale was dead.įortunately and unexpectedly, an intern found the whale while thoroughly studying their recordings. Many experts doubted the finding of the 52-Hertz whale as nobody has heard of the whale again in many years. In the documentary The Loneliest Whale: The Search for 52 produced by Joshua Zeman, Zeman raised $400,000 to fund the search for the 52-Hertz whale. (Source: The Guardian) The Loneliest Whale Expedition When their paper became widespread, people from all parts of the world empathized with the whale’s loneliness. Watkins and his team of experts continued to track the 52 Hertz whale for more than ten years, publishing a study about the underwater sound systems’ potential to trace individual whales. The hydrophone network’s recording stood out to him as the whale was vocalizing at 52 Hertz while bearing the signature call of the blue and fin whales, despite the blue and fin whales having only a 15 to 30 Hertz range.ĭue to the hybrid whale’s higher frequency, people speculate that other whales may hear the 52 Hertz call but wouldn’t understand it. Watkins, including a group of other scientists, theorized that a unique whale produced the noise, a hybrid between a blue whale and a fin whale. Not long after, Woods Hole Oceanographic Institution scientist William Watkins realized that the recordings contained a whale call. They thought it was a Chinese submarine for many years, and when the Berlin Wall fell, they turned the listening system over to scientists and said, “Well, you can use this. In an article tackling the story of the world’s loneliest whale, filmmaker Joshua Zeman states that the technicians, who acted as ear witnesses, assumed that the strange sound indicated the presence of the military. The two main charactersJames, an offbeat teen obsessed with whales, and Darren, a somewhat egotistical 20-something who. A clever write-up of conversational emails, swapped between different characters, constructs this work of fiction giving it a distinct style. They attributed the series of unusual, low-frequency moans to the Jezebel monster, but in reality, the noise came from a whale. A 52-Hertz Whale is the debut novel of authors Natalie Tilghman and Bill Sommer. Navy heard an unfamiliar sound coming from the network of hydrophones they deployed in numerous parts of the ocean floor to detect Soviet submarines. The Jezebel Monster or the Hybrid Whale?ĭuring the Cold War in 1989, the U.S. Known as the world’s loneliest whale, the 52-Hertz whale vocalized in a 50-52 Hertz range while bearing the signature calling of a blue and fin whale, making scientists theorize that the 52-Hertz whale was a hybrid of the two. When scientists got hold of the sound recordings, they determined that the sound came from a unique whale as the majestic creature vocalized much more than the normal range of blue or fin whales. Navy as they thought the noise came from the Jezebel monster. First detected in 1989, the whale calls of the 52-Hertz whale confused the U.S.
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